Wharf Rat Games is a fresh publishing company started by the energetic team of Ryan Heilman and Wes Crawford. I have interviewed both of these men several times regarding the games they designed themselves. I have also spent a lot of time with them at various conventions, including Buckeye Game Fest in April 2024 and the World Boardgaming Championships in August 2024. I am very pleased to see them take this step and start their own publishing business. They have a deep understanding of games, have been part of the industry for a long time, and have strong connections with many designers. I am confident they will bring many high-quality games to our tables for years to come.

Wharf Rat Games is a board game publisher based in Baltimore. Their goal is to create high-quality, light-to-medium-weight board games with engaging themes in historical, science fiction, and fantasy genres. Their games are designed to last under 90 minutes, aiming to appeal to both casual and experienced players. However, there is more to their introduction than just that, as they have signed their first game from a designer we all know and respect: Hermann Luttmann. A Forlorn Hope places a solo player or up to three cooperative players in command of a battalion charging across No Man’s Land to capture enemy trenches during World War I. Success requires a careful balance of bold advances and timely retreats to avoid casualties, maintain cohesion, and keep troops from becoming pinned under relentless enemy fire. Over a decade ago, Hermann pitched a groundbreaking design to Alan Emrich at Victory Point Games. It featured a push-your-luck mechanic within a wargame framework, originally set in the WWI trenches. While the concept was well-received, Alan suggested a Civil War theme instead. This led to the creation of In Magnificent Style, based on Pickett’s Charge at Gettysburg. That game was published by Victory Point Games and later by Worthington Publishing.

They are now preparing to launch this interesting game on Backerkit. I reached out to Hermann to get more information and a better understanding of the game.

Here is a link to the preview page for the campaign.

Grant: What is your upcoming game A Forlorn Hope about?

Hermann: A Forlorn Hope is an abstract simulation of six different World War I trench warfare battlefields. It uses a push-your-luck system that allows the player to experience the tension, frustration, and futility of these trench assaults across No Man’s Land. Players will try to push their battalions to victory in six different scenarios: Neuve Chapelle, 1st and 2nd Ypres, Verdun, The Somme, Passchendaele, and the Meuse-Argonne (The Lost Battalion). Each scenario is quite different, with unique elements, mechanics, terrain features, events, and victory conditions.

Grant: What is the meaning of the title? What did you hope to convey about the game to the players?

Hermann: The dictionary definition of forlorn hope is “A persistent or desperate hope that is unlikely to be fulfilled”. There is hardly a better way to describe the madness of the four years of trench warfare during the First World War. Interestingly, a “Forlorn Hope” is also a military term for a group of soldiers who are assigned the riskiest (and potentially most suicidal) mission, often involving infiltration, ambushes, or scouting missions. For the players, we felt the title was perfectly descriptive of what to expect in the game play. These are tough, grueling scenarios that will require the player to grind out their assaults to their best ability. And yes, the friction of war in this game is a cruel, un-welcomed participant.

Grant: Who is this new publisher and how did you come to do their first game?

Hermann: The publisher is a brand new company called Wharf Rat Games. It was founded by Ryan Heilman and Wes Crawford, both fellow game designers who also became good friends of mine as we worked on other projects together and just hung out at conventions. That I was honored with the opportunity to design their first published game and it was honestly totally by accident! They were interviewing me for their Rat Chat video series and somehow my In Magnificent Style design came up in conversation. I happened to mention that the original idea for the unique push-your-luck mechanism I came up with for that game was actually a World War I trench warfare game. Victory Point Games, who published the original IMS, thought that subject matter was not an easily marketed subject for a wargame, so we changed it to Pickett’s Charge. Well Ryan and Wes asked me if I would like to fulfill my original dream for the mechanism because they really liked the idea of covering trench battles. And here you have it!

Grant: Why was this a subject that drew your interest?

Hermann: I’ve always found a particular interest in World War I, maybe because it was a subject about which I knew few details, but every time I explored it deeper, it became more fascinating. There are just so many interesting aspects to the various nations involved in the conflict and the widespread fronts where such vicious fighting occurred. It just captivated me and then even more so when I discovered there were relatively few wargames covering the war, at least in the early days of wargaming. When I got into actually designing wargames, I wanted to challenge myself to do unusual games and when looking for relatively under-gamed and obscure topics, trench warfare loomed large. So, I set out to figure a way to make trench warfare entertaining for a game player. A tough task, to be sure, but I stumbled upon the idea of doing it as a solo design with an “against the wind” type of push-your-luck approach.

Grant: What is your design goal with the game?

Hermann: Well, as with any of my game designs, my number one goal is to make an entertaining game experience that players will want to come back to constantly. I want players primarily to have fun, but also to have some challenging decision-making to ponder, topped off with some genuine surprises. In this game design, I want players to explore the various types of historical trench assault situations, which can be quite varied. Each scenario is unique and highlights a different aspect of attacking across No Man’s Land. At the same time, I hope players learn a little something about each of these battles and then perhaps will be interested enough to want to explore a bit deeper into these fascinating engagements.

Grant: What from trench warfare during WWI was important to model?

Hermann: Actually, the near helplessness of your troops crossing No Man’s Land and the fact that you are left to fate! You can direct your men to a certain degree…pointing them in the right direction and gauging when they should “hunker down” and take shelter…but otherwise it’s “dancing through raindrops”. What I did with this design is that you do have control of the order in which you move your units and how far (unless the enemy interferes with your plans, of course). I also added the “Wave” mechanic where you want your men to remain in as long a connected line across the battlefield as possible. Not only is this realistic, but a successful wave will earn you additional Tactics Chits, which will increase your units’ abilities and help mitigate against bad luck. So, you as the player are trying to advance against the enemy’s “wall of fire” as quickly as you can, but also trying to maintain order- two opposite forces pulling you apart, and something that a commander on the Western Front had to deal with. Yes, that can be frustrating but it’s also quite fun. You cannot know or control where the enemy artillery will fall – and that’s about as realistic as you can get. You pray and hope and push…and that’s the WWI tension I want to model.

Grant: What sources did you consult about the details of the history? What one must read

Hermann: Oh, boy – honestly, there is no one book I used as these scenarios cover multiple battles. I researched each battle from the various books I own, on the internet, and I watched one or more documentaries on You Tube for each of the battles. My main

Grant: What other games did you draw inspiration from?

Hermann: None actually…other than my own. This game is closely related to In Magnificent Style, Crowbar! The Rangers at Point du Hoc, and the upcoming Kill All Fermitians! (formerly Volters Lead the Way! and is being re-published by Flying Pig Games). Some of the games that I did play in the past, and which gave me hope that I could make a decently entertaining trench game, were Landships (Clash of Arms) and Trenchfoot (GDW).

Grant: How does the game use press your luck?

Hermann: Essentially there are two aspects to the push-your-luck mechanic in this game. One is that you want to get your units to voluntarily Hunker Down before the last Cohesion Cube is lost – this is called a Catastrophic Cohesion Loss. Units that are not Hunkered Down when this happens will be made Pinned, and that makes it harder for them to activate in the next turn (as they start that turn as Shaken units). Hunkering Down in time means the unit has huddled, taken cover, and is regrouping safely. It will begin the next turn without penalty. So, the player pushes their luck by gauging how far to move a unit before Hunkering Down and ending its current turn but thereby being in good shape to start the next turn. The other aspect is that the player will be compelled to keep units in a Wave – a chain of adjacency to each other – to gain the greatest number of new Tactics Chits. Therefore, the player needs to determine how long to keep units active in order to maneuver them into a Wave, but then risking being caught in the open and thereby Pinned when cohesion is lost.

Grant: What type of experience does this create? What are the toughest decisions forced on the players?

Hermann: Well hopefully, as with all my push-your-luck game designs, a sense of constant tension and discomfort! Because of the nature of the Activation and Event Cards, you never know when things will get really rough, really fast. Artillery barrages can land directly on your units – or just miss them. These can cause units to be forced to become Pinned, ending their turn immediately and making it tough to get them going next turn. Therefore, with each decision by the player whether to push another turn or not, there is never a comfort zone where you think “all is well”. The game system will keep you on your toes and always second guessing yourself – and that’s the experience I want to see players having as they attempt to navigate No Man’s Land in WWI.

Grant: What different player counts does the game handle?

Hermann: I suspect most players will be interested in this as a solitaire game, but in fact it does accommodate two or three players as well. In these counts, players will each control one Battalion and work cooperatively with the other player(s). In the case of the 2-player game, players will alternate control of the second (middle) Battalion. Scoring remains the same, with players sharing in the victory or defeat.

Grant: How does the solitaire game function? How does the AI prioritize its decisions?

Hermann: The player draws a hand of Activation Cards each step. Every card has a theme…either Suppressed, Slog, Advance, or Rush…and a set of matching results for cohesion loss, movement, and casualties inflicted on the unit. The player assigns each card to a unit and that unit must then abide by the directions and effects on that card. Usually, the player has some agency in how that assignment can occur. But if one or more “Draw Event Card” cards is drawn, the player must immediately draw an Event Card and apply its effects before continuing on with the activation. This also has the reciprocal detrimental effect of reducing the player’s hand size for this step’s assignment. If you have fewer cards than units, then you must draw the top Activation Card and blindly assign it a unit. There are a number of ways to help mitigate bad draws and results…the player has Tactics Chits to apply if needed and Officer Cards that can be used for certain special abilities. The AI is the deck of Activation and Event Cards, and the player needs to become familiar with what the Activation deck has to offer to make better calculated decisions. In the case of the Event deck, it is mostly random effects (such as for artillery bombardments and machinegun fire) but does prioritize counterattacks and other events against the most advanced player units. There are also Scenario Event Cards in most scenarios that create events specifically tailored to the battle you are currently simulating.

Grant: What has been your most challenging design obstacle to overcome with the game? How did you solve the problem?

Hermann: Honestly, the hardest thing we struggled with was not mechanical or procedural or thematical…it was making sure that the game was balanced for the player. In other words, that the player in every scenario was sufficiently challenged with a competitive, but not impossible, game. That means gauging how severe the Event and Activation Cards are, how many Tactics Chits to allow, how many Officer cards to be made available and how strong their powers are, and how variable and deadly the combat system is. Oh yeah – and how many Victory Points to award and penalize for each victory condition. And after you’ve taken your best starting estimate of where and how these factors should fall, the only way of getting them right is through trial and error, and tons of testing and demoing. And there’s really no magic formula to solving that issue, other than to hammer through the game and constantly bend, spindle, tweak, fudge, and edit.

Grant: What is the layout of the game board?

Hermann: Gamers familiar with In Magnificent Style and Crowbar will recognize the game board immediately. On the player side is the first row, representing the home trench. Then there are a series of nine more rows extending to the far side of the map, ending in a final row representing the enemy trench. There are also nine columns, each of which is occupied by one of the nine player units. In addition, the board is segmented into three No Man’s Land Zones of rows…green (the closest to the player), blue (in the middle), and red (closest to the enemy side of the board). These zones have a number of important effects on game play. Finally, there are three Battalion Zones of columns – 1st Battalion (left side), 2nd Battalion (middle), and 3rd Battalion (right side)…into which is deployed the three units of each of the three Battalions.

Grant: What is the anatomy of the counters?

Hermann: Well, there are no unit counters used in this game! Each of the player’s nine units is represented by a unique wooden piece, showing hand-drawn artwork highlighting the typical soldiers deployed by each nation in the game (there are four armies included – German, British, American, and French). There is no other information on the standees as it is not required for gameplay. There are other numerous cardboard markers used to track information or to be used by the player to perform certain game functions.

Grant: What different type of units are available?

Hermann: There is only one type of unit, technically speaking. The unit pieces represent the generic units fielded by the army you are controlling. Some scenarios will … [truncated]